Somehow it's October. Really, truly fall. I'm writing this from a rather uncomfortable couch in our Airbnb in Rockland, Maine on the eve of packing up the car and heading north for my sister Rachael's wedding. The kids are asleep, Sam's sipping a Negroni and writing postcards, and outside there's the threat of one of those sudden East Coast thunder storms. Everyone's tired after a day of driving up the coast, visiting Owl's Head lighthouse and the little town of Camden, walking the boardwalk and getting cookies in Rockland.
Years ago, when I was still living in the Bay Area and dating Sam, I had a phone call with a literary agent (who is now my literary agent) about writing a memoir; she was impressed by our love story and thought I should start writing it all down. I didn't think twice about my answer: no, it wasn't the right time. I was living that story. For years, I used to roll my eyes when young writers came out with a new memoir, judging them by the date on their drivers license, I suppose -- questioning what they could really have to offer in terms of life experience. But lately I've been thinking a lot about time, experience and writing about our lives: when is the right time? Do we wait until we've lived more of our story? How much more? How will we know when we're ready to start writing it all down?
Today is a different kind of day. Usually posts on this blog come about with the narrative and I manage to squeeze in a recipe. But sometimes when you really stumble upon a winning recipe, it speaks for itself. We'll likely make these beans for Thanksgiving this year. They're one of those simple stunners that you initially think couldn't be much of a thing. And then they come out of the oven all sweet and withered and flecked with herbs. You try one and you realize they are, in fact, a pretty big thing.
I've been thinking about nourishment lately. And satisfaction. See, I just finished Gabrielle Hamilton's Blood, Bones, and Butter (finally) and in it she talks about the experience of opening her thriving restaurant Prune, being wooed by a man that makes her homemade ravioli, her travels to Italy each summer to be with his family, having children, and her immense love for really good food. But it's also about the facade of all of those things -- about the deep loneliness she constantly faces. Feeling unhappy in her marriage, running ragged working around the clock at the restaurant, forgetting to eat or putting together odd, haphazard meals at odd, haphazard times of the day. Feeling dissatisfied. Feeling undernourished.