Early last week brought longer days than usual, a bit of a commute downtown, parking garages, to-go coffees and take-out lunches. It brought a complete lack of yoga, a few more glasses of wine in the evenings, and immense difficulty sleeping. All of this thanks to the photo shoot for my cookbook, Whole-Grain Mornings. I entered into the week nervous and apprehensive: what if for some reason the recipes don’t look photo-worthy? What if the many personalities on set (photographer, food stylist, Ten Speed art director, myself) don’t all mesh? What will be on the cover? What if, what if, what if. It turned out all those worries were for naught and I really could’ve slept a bit more, and perhaps had one fewer glass of wine.
The photo shoot was in downtown Seattle at Clare Barboza’s light-drenched studio. I was matched up with Clare months ago, and couldn’t feel more lucky. She gets my aesthetic — we talked about food styling and keeping everything very loose and spare with a soft, neutral color palette. I brought many of my own dishes and linens from home and Clare was happy to use them (although, as you can see, she’s really not lacking in amazing props). The cookbook itself is going to be highly visual with all of the plated/styled shots by Clare and a number of other photos by me. They’ll be of our Seattle life, our house, garden, and farmer’s market. At first, I was concerned that the images would feel disjointed and wondered why I’d agreed on structuring the book in such a way. But now, when I look at all of the images together, it’s a seamless fit — I can’t wait to show you!
Julie Hopper is Clare’s incredible food stylist and she made my recipes look stunning (for those of you who don’t know, the food stylist prepares all of the recipes and helps style them for the photo). I actually don’t quite know what she did to the tops of my Pear Muffins, but they were perfectly domed with just the right amount of nuts scattered in every little nook and cranny. Julie was a joy to work with, has an enviable collection of sweet aprons and stylish boots, and a calm disposition as she set out using her medical tweezers to move little bits of thyme around a plate. She’d often call me over to the kitchen to ask how I felt about the way something looked or ask questions about whole-grain cook times. In this way, the three-day shoot felt more collaborative than I could’ve ever hoped and, at least for me, celebratory. I left each evening smiling big.
During the shoot itself, there was a lot of downtime while the recipes were prepped and while Clare and Julie set up the initial shots. There was email-checking, tea-making, clementine-snacking, and a lot of general gawking. There were so many surreal moments like the one above where a recipe I worked on for months was being seriously discussed by two smart, talented, professional women and we were all weighing in on angles, the perfect amount of crumbs and messiness, and whether or not it was a cover candidate. Betsy, the art director from Ten Speed, would take each finished photo and plunk it into a working PDF; seeing the photos side by side in the order in which they’d appear in the book was pretty incredible — equal parts validation and relief. After all that worry, it was really all coming together.
The toughest part of the shoot was the debate over the cover image. Weeks before we all met, my editor and I talked about potential recipes for the cover and flagged them — so during our shoot, we all knew which recipes were cover candidates and they were given lots of extra attention in terms of spacing, where we could fit the type, and what would be the perfect crop. I have a breakfast cobbler recipe that I think we worked on for over 3 hours — and it didn’t end up getting approved. So there are ups and downs: moments when everyone in the room is jazzed about a potentially beautiful cover but it turns out that the publisher doesn’t think it’s a good fit. Or vise versa. We’re still working out what will be on the cover. In the meantime, I’ve decided to go back to yoga and real life has crept back in. As it usually does. I made 100 pounds of Marge granola yesterday morning and shipped out boxes to 8 different states. I’ve got deadlines and dinner plans and a hike on the calendar this Saturday. So life goes on.
For those of you who are regular readers, you know that the book is coming out this December, 2013. It’s a seasonal cookbook focusing on a fresh new approach to breakfasts featuring many of my favorite whole-grains. One of the things I’m most excited about is the organization (which my friend Shauna helped me think through): you know how what we eat for breakfast on, say, a busy Wednesday usually looks quite different from what we eat on a lazy Sunday? I wanted to recognize those differences and allow this book to be not just a pretty cookbook, but a refreshingly useful one as well. So each season is split up into sections representative of the different kinds of mornings we all have; you’ll be able to flip to a recipe that speaks to the way you want to do breakfast on any given day.
I have to admit: I’ve been cooking from the cookbook a great deal ever since I turned it in. Sam’s started to put in requests. We’re enjoying living with the recipes and really letting them settle into our household. I’m even finding myself tweak and adapt them further which is to be expected, I suppose. I truly can’t wait to share it with you later this year and to see which recipes you allow to settle into your own household.
Glimpses of Spring
We returned home from San Francisco on New Years Eve just in time for dinner, and craving greens -- or anything other than baked goods and pizza (ohhhh San Francisco, how I love your bakeries. And citrus. And winter sunshine). Instead of driving straight home, we stopped at our co-op where I ran in for some arugula, an avocado, a bottle of Prosecco, and for the checkout guys to not-so-subtly mock the outlook of our New Years Eve: rousing party, eh? They looked to be in their mid-twenties and I figured I probably looked ancient to them, sad even. But really, there wasn't much sad (or rousing, to be fair) about our evening: putting Oliver to bed, opening up holiday cards and hanging them in the kitchen, and toasting the New Year with arugula, half a quesadilla and sparkling wine. It wasn't lavish. But it's what we both needed. (Or at least what we had to work with.) Since then, I've been more inspired to cook lots of "real" food versus all of the treats and appetizers and snacks the holidays always bring on. I made Julia Turshen's curried red lentils for the millionth time, a wintry whole grain salad with tuna and fennel, roasted potatoes, and this simple green minestrone that I've taken for lunch this week. Determined to fit as many seasonal vegetables into a bowl as humanly possible, I spooned a colorful pesto on top, as much for the reminder of warmer days to come as for the accent in the soup (and for the enjoyment later of slathering the leftover pesto on crusty bread).
It turns out shopping for wedding dresses is nothing like they make it appear in the movies. Or at least it hasn't been for me. Angels don't sing. Stars don't explode. Relatives don't cry. There isn't a sudden heart-stopping moment that this is, in fact, "the one." To be honest, I always knew that I wasn't the kind of gal for whom angels would sing or stars would explode but I did think I'd have some kind of moment where I could tell I'd found the best dress. Instead, my mom flew into town and we spent three (yes, three!!) days shopping for dresses, and since then I've been back to the stores we visited -- and I'm more undecided than ever. Tomorrow morning I'll return with my friend Keena to try and tie this business up once and for all. Cross your fingers.
When I was single and living alone in the Bay Area, I made virtually the same thing for dinner each night. I ate meals quickly while in front of the computer. Or even worse: the television. This most often included what I call "Mexican Pizzas" which were basically glorified quesadillas baked in the oven until crispy. Sometimes, if I was really feeling like cooking, I'd whip up a quick stir-fry with frozen vegetables from Trader Joe's or a mushroom frittata using pre-sliced mushrooms. Mostly, though, it was Mexican Pizzas -- a good four or five nights a week. Today, thankfully, dinner looks a lot different. Meals in general look a lot different. How would I explain that difference? I think that ultimately how we feel about our life colors how we choose to feed ourselves and the importance that we place on preparing our own meals.
Today was 75 degrees in Seattle and it seemed the whole city was out and about drinking iced coffee in tank tops and perhaps not working all that hard. When we have a hit of sunshine like this in April (or, really, any time of the year), we're all really good at making excuses to leave the office early -- or, simply, to "work from home." I just got back from LA last night, unpacked in a whirlwind this morning, and took Oliver to meet up with three friends from our parents group at the zoo. The only other time I'd been to the Seattle zoo was once with Sam a few years ago when we arrived thirty minutes before closing and ended up doing a whirlwind tour -- sprinting from the giraffes to the massive brown bear to the meerkat. The visit today was much different: we strolled slowly trying to avoid the spring break crowds and beating sun. I managed to only get one of Oliver's cheeks sunburned, and he even got in a decent nap. A success of an afternoon, I'd say. Coming home I realized we didn't have much in the fridge for lunch -- but thankfully there was a respectable stash of Le Croix (Le Croix season is back!) and a small bowl of this whole grain salad I made right before I left town. It's the kind of salad that's meant for this time of year: it pulls off colorful and fresh despite the fact that much of the true spring and summer produce isn't yet available. And for that reason, I make a few versions of it in early spring, often doubling the recipe so there's always the possibility of having a small bowl at 1 p.m. while the baby naps in the car seat, one cheek sunburned, windows and back door open -- a warm breeze creeping into the kitchen.
On Monday our little family of three is headed to the airport at 6 am to board our first with-baby cross-country trip. We'll be visiting Sam's family in New Jersey for a few days, then renting a car and driving over to meet up with my family at my mom's lake house in the Adirondacks. Sam's younger sister and her kids have yet to meet Oliver; my grandpa has yet to meet him, and Oliver has yet to take a dunk in a lake, see a firefly, or spend quality time with energetic dogs -- of which there will be three. A lot of firsts. This week my family has been madly texting, volunteering to make certain meals or sweets on assigned days while we're at the cabin and it got me thinking about really simple, effortless summer desserts -- in particular, ones that you can make while staying in a house with an unfamiliar kitchen and unfamiliar equipment and still do a pretty bang-up job. I think fruit crisp is just that thing.