Early last week brought longer days than usual, a bit of a commute downtown, parking garages, to-go coffees and take-out lunches. It brought a complete lack of yoga, a few more glasses of wine in the evenings, and immense difficulty sleeping. All of this thanks to the photo shoot for my cookbook, Whole-Grain Mornings. I entered into the week nervous and apprehensive: what if for some reason the recipes don’t look photo-worthy? What if the many personalities on set (photographer, food stylist, Ten Speed art director, myself) don’t all mesh? What will be on the cover? What if, what if, what if. It turned out all those worries were for naught and I really could’ve slept a bit more, and perhaps had one fewer glass of wine.
The photo shoot was in downtown Seattle at Clare Barboza’s light-drenched studio. I was matched up with Clare months ago, and couldn’t feel more lucky. She gets my aesthetic — we talked about food styling and keeping everything very loose and spare with a soft, neutral color palette. I brought many of my own dishes and linens from home and Clare was happy to use them (although, as you can see, she’s really not lacking in amazing props). The cookbook itself is going to be highly visual with all of the plated/styled shots by Clare and a number of other photos by me. They’ll be of our Seattle life, our house, garden, and farmer’s market. At first, I was concerned that the images would feel disjointed and wondered why I’d agreed on structuring the book in such a way. But now, when I look at all of the images together, it’s a seamless fit — I can’t wait to show you!
Julie Hopper is Clare’s incredible food stylist and she made my recipes look stunning (for those of you who don’t know, the food stylist prepares all of the recipes and helps style them for the photo). I actually don’t quite know what she did to the tops of my Pear Muffins, but they were perfectly domed with just the right amount of nuts scattered in every little nook and cranny. Julie was a joy to work with, has an enviable collection of sweet aprons and stylish boots, and a calm disposition as she set out using her medical tweezers to move little bits of thyme around a plate. She’d often call me over to the kitchen to ask how I felt about the way something looked or ask questions about whole-grain cook times. In this way, the three-day shoot felt more collaborative than I could’ve ever hoped and, at least for me, celebratory. I left each evening smiling big.
During the shoot itself, there was a lot of downtime while the recipes were prepped and while Clare and Julie set up the initial shots. There was email-checking, tea-making, clementine-snacking, and a lot of general gawking. There were so many surreal moments like the one above where a recipe I worked on for months was being seriously discussed by two smart, talented, professional women and we were all weighing in on angles, the perfect amount of crumbs and messiness, and whether or not it was a cover candidate. Betsy, the art director from Ten Speed, would take each finished photo and plunk it into a working PDF; seeing the photos side by side in the order in which they’d appear in the book was pretty incredible — equal parts validation and relief. After all that worry, it was really all coming together.
The toughest part of the shoot was the debate over the cover image. Weeks before we all met, my editor and I talked about potential recipes for the cover and flagged them — so during our shoot, we all knew which recipes were cover candidates and they were given lots of extra attention in terms of spacing, where we could fit the type, and what would be the perfect crop. I have a breakfast cobbler recipe that I think we worked on for over 3 hours — and it didn’t end up getting approved. So there are ups and downs: moments when everyone in the room is jazzed about a potentially beautiful cover but it turns out that the publisher doesn’t think it’s a good fit. Or vise versa. We’re still working out what will be on the cover. In the meantime, I’ve decided to go back to yoga and real life has crept back in. As it usually does. I made 100 pounds of Marge granola yesterday morning and shipped out boxes to 8 different states. I’ve got deadlines and dinner plans and a hike on the calendar this Saturday. So life goes on.
For those of you who are regular readers, you know that the book is coming out this December, 2013. It’s a seasonal cookbook focusing on a fresh new approach to breakfasts featuring many of my favorite whole-grains. One of the things I’m most excited about is the organization (which my friend Shauna helped me think through): you know how what we eat for breakfast on, say, a busy Wednesday usually looks quite different from what we eat on a lazy Sunday? I wanted to recognize those differences and allow this book to be not just a pretty cookbook, but a refreshingly useful one as well. So each season is split up into sections representative of the different kinds of mornings we all have; you’ll be able to flip to a recipe that speaks to the way you want to do breakfast on any given day.
I have to admit: I’ve been cooking from the cookbook a great deal ever since I turned it in. Sam’s started to put in requests. We’re enjoying living with the recipes and really letting them settle into our household. I’m even finding myself tweak and adapt them further which is to be expected, I suppose. I truly can’t wait to share it with you later this year and to see which recipes you allow to settle into your own household.